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Mottisfont Abbey is a historical and country estate in , . Sheltered in the of the , the property is now operated by the . 393,250 people visited the site in 2019. The site includes the historic house museum which features regularly changing art exhibitions, gardens, including a walled which is home to the National Plant Collection of ancestral rose species and 19th-century rose cultivars,Stone, D. (2008). Pruning Roses. In: The National Trust, ed., Gardening Secrets from National Trust Head Gardeners (pp. 49-52). London: National Trust Books. . and a riverside walk. It is a Grade I .


History

Priory
Fertile land and a plentiful water supply attracted the first settlers. The site's name comes from a spring ("") that is still producing water in the grounds. It was the font around which the local community held its moots or meetings. An was founded here in 1201 by William Briwere, a businessman, administrator and courtier to four kings who chose to make a public demonstration of his wealth and piety. The canons welcomed en route to Winchester, who came to worship Mottisfont's , said to be the finger of St John the Baptist.

Struck by the , the initially prosperous priory suffered from the mid-14th century onwards. Its landholdings included the church at Berwick St James, Wiltshire.


House
During the Dissolution of the Monasteries under , the priory was dissolved and in 1536 the King gave Mottisfont to a favoured statesman, Sir William Sandys (died 1540), who turned it into a country home but, rather unusually, chose not to demolish the existing priory. Sandys instead turned the church into the main body of the new mansion, building additional wings on either side. Sections of the original medieval church may still be seen, with the later additions built around them. The 13th-century also remains present today.

In the 18th century, the old monastic cloisters and Tudor courtyard were demolished by the Mill family, creating the modern appearance of the house's . It was at this time that the owners added "Abbey" to the name of the house rather than the more historically correct "Priory". The National Trust speculates that the name was considered to be more romantic. Under Sir , in the early 19th century, the estate became a centre for hunting, shooting and fishing, and a new block was built. The last decades of the 19th century saw Mottisfont let to wealthy banker Daniel Meinertzhagen under eccentric terms that forbade the installation of electric light or . The ten Meinertzhagen children included Daniel and Richard, who built for their collection of , , and . Richard wrote detailed diaries about his childhood and growing interest in the natural world.


20th century
The arrival of and Gilbert Russell in 1934 made Mottisfont the centre of a fashionable artistic and political circle. Maud was a wealthy patron of the arts, and she created a substantial country house where she entertained artists and writers including and . She commissioned some of her artist and designer friends to embellish Mottisfont, always with an eye on its history, which fascinated her. created the illusion of Gothic architecture in her (now known as the Whistler Room), a piece of trompe-l'œil painting that recalls the medieval architecture of the priory. contributed mosaics both inside and outside the house, including one of an angel featuring Maud's face – the couple had a long love affair.

During World War II, Mottisfont was commandeered as a hospital with 80 beds.

Maud Russell gave the house and grounds to the in 1957, although continuing to live there until 1972. One of the artists who had visited regularly was Derek Hill, a society portrait painter who had a private passion for landscape painting, and who collected work by his contemporaries. He donated a substantial collection of early 20th-century art to the National Trust to be shown at Mottisfont, in memory of his long friendship with Maud Russell. Today, these works are joined by a changing programme of temporary exhibitions of 20th-century and contemporary art.


Burials


Visitor attraction
Mottisfont Abbey has extensive grounds. There are areas of wooded shade, a walk along the , enough lawn for picnics, and games are allowed on the lawns, too. There is the largest specimen of a London plane tree in Britain.

Mottisford is home to the Plant Heritage National Plant Collection Rosa (pre-1900 ). The roses reach their peak in June and are scented, particularly on early summer evenings.

In the summer months there are often theatre productions outside, and at different times of the year there are specific trails, mainly but not exclusively aimed at children, for example at Easter, Halloween, Christmas etc.

Refreshments are sold at several points and there is a modern National Trust shop, ice cream parlour and exhibition space. A new Visitor Centre was completed early in 2016. An environmentally friendly building, it is heated in winter months by a biomass boiler burning wood-chips from the estate.

From The , which passes through Mottisfont and around the Abbey grounds, the main house is seen from the rear as you pass through fields along the northern boundary.


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